Free UK shipping on orders over £50 | Click & collect from our shop
Bauhaus - Press Eject And Give Me The Tape

Bauhaus - Press Eject And Give Me The Tape

BEGGARS BANQUET

Regular price £0.00 £16.50 On Pre-order

LPs: Order under £50 = £3.40 shipping.
Order over £50 = Free shipping.
CDs: Order of any value = £1.50 shipping.

Out 23rd November 2018

2018 marks the 40th anniversary of Bauhaus. To celebrate, Beggars Arkive are reissuing six records from the band’s catalogue on special edition coloured vinyl. Formed in 197 8, The legendary and hugely influential quartet hailed from Northampton, England and is comprised of Peter Murphy, Daniel Ash, David J and Kevin Haskins. The dark, dramatic music that they made, possessed far more force, variety and playfulness than the ‘founding fathers of goth’tag that is always attached to them. Bauhaus’ landmark debut album, ‘In The Flat Field’, came out towards the end of 4AD’s first eventful year. Following the plan at the time, the band then ‘moved upstairs’ to Beggars Banquet, for whom they cut three further albums before dissolving in 1983. They charted with their cover of David Bowie’s ‘Ziggy Stardust’, they’ve been and name checked by everyone from Nine Inch Nails, Sepultura, Janes Addiction, MGMT, Interpol, Bjork, Nirvana and more. They remain a huge cult concern, periodically reforming to wow their legions of dedicated followers. The band’s members continue to make new music. Peter Murphy enjoys a successful solo career, Love And Rockets consisted of Daniel Ash, David J and Kevin Haskins. Tones On Tail was comprised of Daniel Ash and Kevin Haskins. Poptone is a retrospective project, featuring Daniel Ash, Kevin Haskins and his daughter Diva Dompé, revisiting the music of Bauhaus,Tones On Tail and Love and Rockets. Released in 1982, ‘Press The Eject And Give Me The Tape’ is a live album,compiled from shows across the UK from 1981 - 82. The album feat ures astriking ver sion of John Cale’s ‘Rosegarden Funeral Of Sores’, a particularly spooky run-through of ‘Hollow Hills’ that out-creeps the studio version on ‘Mask’ and the punk rock fuzz-out of ‘Dark Entries’. Of course, ‘Bela LugosiIs Dead’ appears here as well, in a luxurious nine-and-a-half-minute version. Washed in feedback and ever-so subtly accelerating and decelerating, this song is the true centre of ‘Goth’ mythology. This was mastered from HD audio files transferred from the original tapes